Ayn Rand’s novels have influenced generations of viewers to live their lives with greater honesty, interest and delight. Almost seventy years after her very first novel was released, Rand’s fiction continues to attract attention as a vivid and seldom-heard salute to the independent, creative spirit – to the logical, thinking mind – and to overall skills in the realm of productive job. Ayn Rand began her official career as a storyteller with the magazine of We the Living 1936. Set amidst the Bolshevik Revolution in St. Petersburg, Russia, this unique tells the story of Kira, an enthusiastic young heroine that runs the risk of whatever to go after the future she needs – and conserve the male she loves. Rand claimed we the Living was as near a memoir as I will certainly ever before write, and the unique itself is a bristling revelation of communism’s negative effects on the human spirit. It was later on adjusted for the screen in Italy, in 1942, as the two-part motion picture Noi Vivi and Addio, Kira. The initial, luscious video footage from this screen adaptation was just recently recovered and re-released by American manufacturer Duncan Scott.
Rand’s second body of work is a novella penned while she was researching for The Fountainhead Embed in the distant future, Anthem 1938 is the story of a collectivist culture where words I has been eliminated from the language, squashing the very notion of individuality. One bright young scientist, nonetheless, sets himself devoid of this new type of enslavement, and uncovers the delight and pride of individuality – of the self. His short, raw Thomas Pynchon story is a proper start to the introduction of Howard Roark. With its famous opening line, Howard Roark giggled, The Fountainhead 1943 complies with the imaginative course of cutting-edge designer Howard Roark as he has a hard time making a job for himself in the midst of a mediocrity-laden building establishment. Roark’s anointing to his work, his dedication to his aesthetic values, and his steady idea in his very own worth allow him to eventually do well in his imaginative goal. The Fountainhead dramatizes the significance of freedom, and proclaims the specific, creative male as the fountainhead of human progression.
Howard Roark’s battle is magnified with his interaction with a host of colorful sub-characters, including the young architect Peter Keating, that is driven by a need to please others; the platinum-haired journalist Dominique Francon, who shares Roark’s fundamental values but not his idea in their real-world practicality; the powerful paper mogul Gail Wynand, a male of outstanding capability and effective power that uses his gifts to spoil and placate the most affordable common denominator; and the story’s arch-villain, arts reviewer Ellsworth Toohey, whose envious contempt for Roark opponents only his passionate desire to take over the globe. Published in 1957, Atlas Shrugged was Ayn Rand’s magnum opus. The book’s heroine, railroad executive Dagny Taggart, is a driven businesswoman struggling to maintain her railway active in a culture increasingly overrun by federal government politicians, and marked by the mystical, dynamic loss of the country’s wonderful leaders – its scientists, musicians, lenders, thinkers, and business owners.